tag:blogger.com,1999:blog-60031352024-03-18T11:58:19.665-07:00As/IsAs + Is = Everything you always wanted to know about the group poetry blog, but were afraid to ask.Unknownnoreply@blogger.comBlogger4107125tag:blogger.com,1999:blog-6003135.post-88524109918866430092024-03-17T12:28:00.000-07:002024-03-17T12:28:13.488-07:00Something Solid: Aughts Philly: Riot Grrrl on P.F.S. PostRiot Grrrl, double sonnet from the Aughts Philly section of Something Solid, on P.F.S. Post.Riot Grrrl is also available as an individual mp3 file on PennSound.Adam Fieledhttp://www.blogger.com/profile/11909851580874856025noreply@blogger.com0tag:blogger.com,1999:blog-6003135.post-72306699032961143492024-03-10T15:48:00.000-07:002024-03-10T15:48:17.328-07:00Something Solid: Aughts Philly: Undulant on P.F.S. PostUndulant, sonnet from the Aughts Philly section of Something Solid, on P.F.S. Post. Undulant is available as an individual mp3 file on PennSound. Adam Fieledhttp://www.blogger.com/profile/11909851580874856025noreply@blogger.com0tag:blogger.com,1999:blog-6003135.post-35024768094168934772024-03-03T11:57:00.000-08:002024-03-03T11:57:54.045-08:00Something Solid: Aughts Philly: The Studio on Argotist Online PoetryFrom the Aughts Philly mid-section of Something Solid, the double sonnet The Studio is now up on Argotist Online Poetry. Many thanks to Jeffrey Side.The Studio is also available as an individual mp3 page on PennSound. Adam Fieledhttp://www.blogger.com/profile/11909851580874856025noreply@blogger.com0tag:blogger.com,1999:blog-6003135.post-58497927594652725672023-10-25T17:53:00.003-07:002024-02-02T07:19:42.854-08:00Chimes: 2024 editionAdam Fieledhttp://www.blogger.com/profile/11909851580874856025noreply@blogger.com0tag:blogger.com,1999:blog-6003135.post-12854724972882838562023-08-29T07:16:00.003-07:002023-08-29T07:16:45.656-07:00PICC on P.F.S. Post 2 PICC (A Poet in Center City) #34 on P.F.S. Post.Adam Fieledhttp://www.blogger.com/profile/11909851580874856025noreply@blogger.com0tag:blogger.com,1999:blog-6003135.post-69654259667233672542023-08-26T09:36:00.003-07:002024-02-13T07:19:23.220-08:00PICC (A Poet in Center City) on Fieled's Miscellaneous More from PICC (A Poet in Center City) on Fieled's Miscellaneous: #14 and #62 and #16 and #2.Adam Fieledhttp://www.blogger.com/profile/11909851580874856025noreply@blogger.com0tag:blogger.com,1999:blog-6003135.post-9702611317116164732023-08-14T08:41:00.001-07:002023-08-14T08:41:51.108-07:00PICC (A Poet in Center City) on P.F.S. Post From PICC (A Poet in Center City) on P.F.S. Post: #s 18 and 44. Adam Fieledhttp://www.blogger.com/profile/11909851580874856025noreply@blogger.com0tag:blogger.com,1999:blog-6003135.post-25029251911171844342023-08-04T13:03:00.000-07:002023-08-04T13:03:54.448-07:00Equations #45 Growing up with Emma,
who had been in my class at CHS, wasn’t like growing up with Roberta. It wasn’t
like anything. Emma, a lanky blonde with long, lank blonde hair, a chiseled,
cat-like face, and long limbs, looked like a stunt double for Trish, and had
been merely an acquaintance. She was quiet, and kept to herself. Her friends
were among the geeks of the class. Why and how Emma knew to Adam Fieledhttp://www.blogger.com/profile/11909851580874856025noreply@blogger.com0tag:blogger.com,1999:blog-6003135.post-27412462878741828192023-08-01T10:15:00.000-07:002023-08-01T10:15:11.692-07:00Equations #25 in Argotist Online Poetry Equations #25 in Argotist Online Poetry. Many thanks to Jeffrey Side.Adam Fieledhttp://www.blogger.com/profile/11909851580874856025noreply@blogger.com0tag:blogger.com,1999:blog-6003135.post-36507189375643502232023-07-30T18:27:00.003-07:002023-07-30T18:27:55.337-07:00Equations on perma.cc Equations: The Thesis Episodes on perma.cc.Equations: The Jade Episodes on perma.cc. Peace out.Adam Fieledhttp://www.blogger.com/profile/11909851580874856025noreply@blogger.com0tag:blogger.com,1999:blog-6003135.post-68479795149108604802023-06-30T15:03:00.003-07:002024-01-27T12:41:53.837-08:00Equations #39
That first spring I spent in State College, Hope swept hopelessly away from my friends and I as a siren. With her pitch black hair, dark eye make-up, Cure shirts, she embodied the mystery of the Gothic, which was a countercultural subtext in the Nineties about outsider-ism, what it meant to subsist as a freak in the world. I didn’t know what she would be like up close— as of August, and Adam Fieledhttp://www.blogger.com/profile/11909851580874856025noreply@blogger.com0tag:blogger.com,1999:blog-6003135.post-2932663938060656772023-06-20T09:26:00.003-07:002023-06-26T16:48:36.233-07:00Equations: The Thesis Episodes on PennSoundEquations: The Thesis Episodes on PennSound. Many thanks to the PennSound crew.P.S. The Jade Episodes, also on PennSound, completes the book. Cheers. Adam Fieledhttp://www.blogger.com/profile/11909851580874856025noreply@blogger.com0tag:blogger.com,1999:blog-6003135.post-19112152332642057302023-06-14T06:03:00.002-07:002023-08-22T06:18:49.412-07:00Equations #37 in Otoliths (70) Equations #37, from the 2023 edition of Equations, in Otoliths 70. Many thanks to Mark Young.Here is Otoliths 70 in its entirety. And in print.Adam Fieledhttp://www.blogger.com/profile/11909851580874856025noreply@blogger.com0tag:blogger.com,1999:blog-6003135.post-42001734747150323462023-06-03T12:53:00.003-07:002023-06-03T12:53:40.800-07:00New Poem in Otoliths (69) Cabinet, the concluding double sonnet in the Aughts Philly section of Something Solid, in Otoliths 69. Many thanks to Mark Young. Here is Otoliths 69 in its entirety. And in print.Adam Fieledhttp://www.blogger.com/profile/11909851580874856025noreply@blogger.com0tag:blogger.com,1999:blog-6003135.post-7393716528670395112023-06-03T12:52:00.003-07:002023-06-03T12:52:40.975-07:00Equations #26 in Argotist Online Poetry Equations #26, one added to the book in 2023, in Argotist Online Poetry. Thanks to Jeff Side. Adam Fieledhttp://www.blogger.com/profile/11909851580874856025noreply@blogger.com0tag:blogger.com,1999:blog-6003135.post-30950377693245141192023-05-12T08:33:00.002-07:002024-03-16T08:35:55.052-07:00Letters to Dead MastersA new way to read the epistolary novella. Adam Fieledhttp://www.blogger.com/profile/11909851580874856025noreply@blogger.com0tag:blogger.com,1999:blog-6003135.post-1460927900150286852023-05-11T14:44:00.013-07:002024-01-12T15:19:01.538-08:00Chimes (Francais)Adam Fieledhttp://www.blogger.com/profile/11909851580874856025noreply@blogger.com0tag:blogger.com,1999:blog-6003135.post-37521159108929735222023-01-10T07:28:00.005-08:002023-10-17T10:18:06.696-07:00Metaphysics of the Double SonnetThe metaphysics of the fourteen line sonnet are not
particularly complex ones. Beneath the structural surface of meter, and prosody
in general, the fourteen line sonnet both embodies, and is, a wave on the
ocean, and a manifestation of a wave-on-the-ocean dynamic. An impulsive complex
in the poet’s brain, mostly made of affective rather than intellectual
material, coalesces to hurl itself into Adam Fieledhttp://www.blogger.com/profile/11909851580874856025noreply@blogger.com0tag:blogger.com,1999:blog-6003135.post-53173877974932385782023-01-09T07:08:00.004-08:002023-10-17T10:04:04.422-07:00Apparition Poems: Two Part Preface: 2013-2022Though no sustained narrative buoys it up, Apparition Poems is meant to be sprawling, and epic. An American epic, even one legitimate on world levels, could only be one made up of disparate, seemingly irreconcilable parts— such a state of affairs being America’s, too. The strains which chafe and collide in Apparition Poems are discrete— love poems, carnal poems, meta-poems, philosophical poems, Adam Fieledhttp://www.blogger.com/profile/11909851580874856025noreply@blogger.com0tag:blogger.com,1999:blog-6003135.post-31599255913180680382022-12-26T17:44:00.002-08:002022-12-26T17:44:53.334-08:00Cesar Santos (Miami, USA): "First Tattoo" Adam Fieledhttp://www.blogger.com/profile/11909851580874856025noreply@blogger.com0tag:blogger.com,1999:blog-6003135.post-77510400943285770632022-12-19T15:03:00.003-08:002023-10-17T10:19:35.869-07:00Unpacking Visionary DeadnessA number of semi-manifestos were penned around the
composition of Apparition Poems in 2009 and 2010. The author introduced a
phrase which was meant to carry signifying resonance, as an ensign, defining an
aesthetic, defending a position, and opening a vista onto both what was then a
contemporary Zeitgeist and what literary creation entailed in America under the
aegis of that Zeitgeist— Adam Fieledhttp://www.blogger.com/profile/11909851580874856025noreply@blogger.com0tag:blogger.com,1999:blog-6003135.post-37164208519084692622022-12-02T15:07:00.001-08:002023-06-06T16:33:39.958-07:00ParfaitL'affiche
de Monroe, s'aspergeant deeau de
Cologne, étais-tu, toi-même, encore une foisêtre
parfait, comme vous l'avez dit; comme Jennifer était toi,vous-même à
nouveau, parfaitement, car vous n'en aviez pas besoinêtre dit,
n'aurait pas pu être de toute façon, alors.Je
t'imagine, errant jusqu'à cet endroit humidesous-sol,
avec un sens de symétrie dans votrecerveau sur
ce qui avait été, serait. Adam Fieledhttp://www.blogger.com/profile/11909851580874856025noreply@blogger.com0tag:blogger.com,1999:blog-6003135.post-11409316158679769982022-12-01T11:22:00.000-08:002022-12-01T11:22:10.510-08:00OnduleuxJ'avais prévu de te rencontrer au Bar Noir le 18 ; tu étais là; nous avons bu. Ce qui s'est passé ensuite, dans l'appartement de Logan Square, c'est qu'en défroquant tu as renversé une lampe antique que ma tante m'avait léguée à <!--[endif]-->Mahopac. Sérendipité, pensaije, assommée puis
réduite au silence par l'élan de ta chambre. Dehors, une nuit étouffante
Adam Fieledhttp://www.blogger.com/profile/11909851580874856025noreply@blogger.com0tag:blogger.com,1999:blog-6003135.post-58177247647601784642022-11-22T23:08:00.004-08:002022-11-22T23:08:57.494-08:00more adeenaOBVIOUSOBVIOUSHowdyhttp://www.blogger.com/profile/13873795426098106200noreply@blogger.com0tag:blogger.com,1999:blog-6003135.post-33106294960153691352022-10-12T07:27:00.003-07:002023-10-17T10:22:30.824-07:00Elegy 702 and FormForm,
in the Cheltenham Elegies series, is meant to elongate an impression of
plasticity. Form itself is, at its most congenial, a mode of implied
Inter-Dialogism with an assumed audience. When the brain registers that a
formal gambit has been made, the elegy (or any piece of writing which might be
formal) at hand becomes something beyond a series of thematic gestures, meant
to evoke sorrow, pityAdam Fieledhttp://www.blogger.com/profile/11909851580874856025noreply@blogger.com0