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3.31.2005
self-evident
when making alpha- bet soup, instructions must be followed to the letter
3.30.2005
Thirty March
safe to say longitude. fact stifles speculum. rescinds a ring disclosed at leisure. as effect size notes a magnitude lacking in relativity. an empty place affords attention to. failing to suffer loss of being held to light. at an intensity quite blue. displaced from a resemblive solitude. most of the talk not in my mother tongue. I follow prior to the tapes that function both as gentle guide and crystalline intention. glittering with fray. semblance holds subjective connotation. ink infill. diametric shift of hearing. sense distinct from savvy. waylaid hunting-gathering replete with history. bonds not to be split. per steadfast undertones of history that quash expert testimony heard through wires untested although hitched to outer skin.
3.29.2005
time'distance......
Average Utility Costs
The small business Was meant to refine What was already Inside. What they knew To be there, as told Time and again By what they bought. Working backward As one often does When faced With research, there They found Something else, Simple, but not Them, not exactly.
LINGO STRIPPED
The labels the language the frame and the thought have arrived........... ...........................seperately. The vision the voices the talk and the text are arranged........... ............................perfectley. The colour the content the taste and the touch will collide............. ................................ shortly. The learning the errors the waste and the want can occur ...........................eloquently .............conversing .............in plagerised whispers ........................................................as ...............................................................the epistemological process unfurls ....................................................................the music ....................................................................the meaning ....................................................................the nuts and the bolts ..................................................to reveal ...........................effortlessly the landscape ....the knowledge .......the toss and the catch.
3.28.2005
four hay(na)ku
morning in four four time, listen * sonata minus one now flute alone * double tonguing part via ear trumpet * musical nest emptied of quarter tones
i am an action gone astray
"do not urinate in public fountains," the sign admonishes wind blows steadily over a ridge (i'm tired of being a man) here among the ruins of another generation i watch light drift among shrouds and fingers a warm sky as though enlightenment waits on wing the proper moment for surveillance has passed lace flows--trade continues--a car backs into a corner a band begins to play a tribute "she says, 'i could only wish to be the one who is near you'" light beams on a distant highway we're all carrying masks woven from leaves
there are zones of new sovereignty within me this time I've tenderised these spaces with cigarette smoke and nostalgia overturning spatial order it's impossible to fall into dissipation you just spread into sameness and there are zones of new sovereignty this time spaces crystallizing compartments formed out of cigarette smoke and nostalgia.
3.27.2005
time'distance.....
3.26.2005
time'distance....
The Hyperliterature Exchange
The Hyperliterature Exchange
a nice review of Alan Sondheim's work over here..
3.25.2005
how very feathered
how very feathered are the gesture weeds. they plush low sky. we north them when we walk dayside. we join our limbs with breath, rehearse forgetting as art. a fevered pacem. longing keeps. we hold the moment without will. and soon the stretch of days equals a life to talk about. lone man still forging methods, following his way. a soft parade of motions that don't flex. afternoon connotes a mild time that extends. maybe with sufficient gold a thread becomes discretionary as the powder wings of moths and nascent fluttering. a likely joy that weighs that much.
time'distance...
Neighbors
There was to be no one On the other side of this wall, But there was, and now Often times the things said Are in part what has been Heard between the heavy channel Of one room to the next. There was much questioning Initially as to who was saying what Correctly, then, it didn't matter To either party, as they then Made it a point to begin Speaking whenever the other began.
3.24.2005
time'distance..
acknowledgements
I am indebted. I am responsible. I am much obliged. I should emphasize. I alone. I am also grateful. I was aided. I am indebted to my good friend. I possibly omit. I should like to thank. I owe so much. I am wit and kindness. I should express this biography literally
time'distance.
3.23.2005
time'distance
I have seen it all
perfumed performance: watch these nettles glow
convention is fun.
I read about a man in medieval China who set himself the task of breeding the most beautiful goldfish for some chick painfully above his station. That's the way stories work, and I didn't read the end because it was in a book in a bookstore and I had to go to class. But I thought about it on the way. And when a papery blonde woman lectured about Croce and his hard-on for history I wrote neat dot points in my exercise book. What goldfish? How many generations? What colour? How long and how many frail fleshless goldfish fry had to die? When did he know he was finished and did the goldfish know his twisted, slow, ungainly body was moulded as a noble gesture? I understand that's the way love works, and, sometimes I think about the chick and the man but mostly I wonder about the goldfish.
3.22.2005
imag'cide
3.21.2005
There is only one Fernando Pessoa.
molecular unconscious
these are restless forgotten parts these are ironic parts these forgotten restless parts
3.20.2005
Get A Google Poem: by Leevi Lehto
Compiled 3/21/2005 12/29/1899 11:19:52 PM GMT
Folk are telling me that our first
- said EFF Staff Technologist
Gilgamesh saying, 'What you say
site is home to the remarkable
9/15/2004 7:34:38 AM GMT plans for
through all Google, Yahoo duel for
a sonnet based on your srting. More
wall Google to find U. Too, there
Poem: by Leevi Lehto Get a. Poem!
you can . sonnets pantoums and
based on your srting. More poetry
Kim Stefans' homepage - poetry
Folk are telling me that our first
- said EFF Staff Technologist
by Leevi Lehto Get a. Poem! Linebreak
by Leevi Lehto Get a. Poem! Linebreak
you say - you might have fun
Google, Yahoo duel for documents.
you say - you might have fun
Never. - Leevi Lehto - the
Leevi Lehto, 'When a Car
- Video Track - the nuclear
then searches Google - sonnets
Finnish poet and programmer's
Gilgamesh saying, 'What you say
issues; get through all the nuclear
you say - you might have
wall set up - I Get My Groove
based on your srting. More poetry in
Low. Skip search words in
An intriguing Google app creates
starfish Movie - Get Movie Properties
- so Kenny gave a welcome drink
site is home to the remarkable
New in January 2005: Debby Florence
poet and programmer's site is
text in a search and assembles it as
Get A Google Poem: by Leevi Lehto
Leevi Lehto, 'When a Car
- Video Track - the nuclear
GMT plans for kids, parents, teachers
on a memorial wall Google to find
to the 56 already displayed.
Brian Kim Stefans' homepage -
more, until you get a syntactically
- In order to show you the most
Dworkin - Legion (2003) Brad Ford
de Ronsard, Harmonia Mundi, Regnard
look at all the spotless generosity
chimes press open the alongside of a keepsake morning glyphed if cave is near the inner ear rescinds the spry outreach of lollygag I press my luck you press your luck etcetera greetings to what might be about to happen on the upside of the broadside of an interrupted filmstrip formed by younger eye content am I contentment is the arching of a growing population of found heart released from the projection on familiar walls an aqua to be melted with pure silver and dispatched to cloth to lay upon and shift the tone of skin one moves in smiles this third of the way there wherever health is brimming over with conjoined acceptance of the color jaune
Your lover's nakedness diagrams a sentence. Your reader's wakefulness blossoms through address.
city
I live in a city of sorts. It's spread open like a boiled mussel cracked with the heel of an oyster knife. I've lived here always once I take off my clothes the city begins. Here it is - dried up and naked my city listens to adult contemporary and plans mortgages children and sensible cars mottled with little circles of dust after rain.
3.17.2005
Roll Call
for Bob Cobbing The useless one kept saying factious, call me the pilot from the kohl-eyed gates, and again our thoughts will darken into spot. Appearing organized, various for image, inhale hepatic so set on detail, Catskill yelped the dog up to the mountain's nib. This pain, my side, the light grips the direct curve of a pellet meant for interim retrieve. Sick, but not hewn with the wood. The meadow is primal to the holy fellaheen. They return to work under the scud that blows by, under their fields where inroads fog the sprung overslept, overthrown. Scale pan returns to level as a honey locust knuckles from the weight. A young kipper fast approaching hold out without water and guilt to miss.
3.14.2005
actbuy canned goods before elves shift poles to the east and dance wildly work hard for war placing hands on tables like ripe seeds sell yourself for a cup of soup and a ticket to algiers on the late flight ask creation to flow back into the gates before the town falls apart become a falconer and spit on fire throwers near flowers deliver a letter to the president dated 8/15/07 and chuckle donate your heart to science or the next best offer above zero delve into fountains screaming at the gods ask martin espaldino for an anal injection pray that the rains will gently cleanse your conscience
well she said on the lip of this silence one can rest
Cut Here
sleep as if awake awake as if asleep down to the bottom of the stairs then to the window where the shadows breathe seen as if invisible invisible as if inert kindly as if hurtful listening as if unheard unheeded similitude narrative proliferation of stormy treatises abandoned at the banister too old too daunting too obsequious that word hunt could have been our haunt hold host hand here have hate folded, bent creased, copied, stapled spindled and mutilated and severed along the dots
3.13.2005
New at e-x-c-h-a-n-g-e-v-a-l-u-e-s
3.11.2005
Mornings
yes, the load is there, for some it may seem as toast returned to after a long day at work, hard and tossed to a covey of quail
3.08.2005
rhetoric dis (olve)
3.07.2005
The Centaur
Now, the device Has reached My height, and is No longer doubtless To the fact That we No longer share The same sense Of humor.
3.05.2005
3.03.2005
Underneath everything is rhythm. Some people love baseball, others Love autumn leaves changing colour, dying, rotting Which is a smell I love, rotting leaves. The Big Bang was the first hit on the tympani And reverberations can still be seen In superstrings, in blood flow, in the water cycle
In music, in the micro and macro. People love countries which usually means hating Other countries and loving one person Doesn't mean hating Someone else but it often ends up that way I don't know why. Everything: tides, love, Halley's Comet, civilizations Everything coming and going.
risking self
oh i seem to have shot my self in the metaphorical foot
3.02.2005
i did not intend to pull the trigger myself
cloudy nights
3.01.2005
Compose Flowers
Soon every Quiet of the body Stills near late wisteria And apple pulp Chores lifted to A light place Call upon each Softness of the page Plucked strings Brushed once With angular Contentment rinse By accident of earth A faith in certain Points of focus Planted on small plots
A House in Bisbee
Indigestion, the minerals Of once rock, water pulled From wet hair, downward Along lit back, to puddle On brazen cloth, covering Moves upward, favorably so, meeting the wind, the surge Of chicory, out kitchen Window, some mess For succulents, casually seedy beside rock, copper mint
sunny days
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need this
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the com, ma
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