Utilizing techniques honed in the opium dens of Amsterdam circa 1970, solve the following word problems, equations, etc. Suggestion: Consider Stein: i, & e, & n toted off in gondolas at intervals: Length what is length when silence is so windowful?
PROBLEM ONE: When gauging or disengaging a pipeline, what aspect of "ing" derives: 1) dislocation of thought, 2) identity, 3) distrust of singularity of perception, etc. while misplacing/displacing a "u?"
1) Arabian peninsula taxi rides across.
2) Hopi reading Flaubert, no mixture of cults.
3) Jack & his Klondike opposed by sutured.
Note: Write carefully, diligently. Measure all strides issuing from "measure" e. g. "a sure me," "use ream," etc. If it helps accept present tense as your raison d’etre in real time.
PROBLEM TWO: estimate dimensions of the following sentience sentence fragments in kilometers, meters, centimeters etc while racing the word clock to its doom:
1) scoped denuded funnest "V."
2) The guidon’s 6-legged imago.
4) Vices subtler than consequence.
Suggestion: Write as though "gun" was aimed like "church" at your temple. Time is the enemy. Remember: a cat is a cat on history’s hot tin "Hazzar!" If it helps look up post-Enlightenment agonistes as though "during" interprets: of colors after heavy nights of rioting.
PROBLEM THREE: T or F? A mulling of Mulligans killing time is the same length as: Opposition arrives in twelve seconds?
Hint: space/time effects Irish patriots inversely when Guinness is poured.
PROBLEM FOUR: On a separate sheet of blank paper, calculate the total number of responses possible in nature:
1) Negative howitzers spawn "Y" on Gaza.
2) Crop circles gauge "W" like opaline tsars.
3) If science deletes, "N" is Alaska-topiary.
Hint: Keep in mind Foucault’s premise that modern art is not a confirmation of modernity but an articulation of its limits.
Note: In the following problem, Dada, as a methodology, may be helpful. Or, if you prefer, apply Surrealist principles to weed out: of thinking running like a dog or maiden’s flute in the opium dens of Amsterdam.
Remember: sr / sd applies. Language (lacking a clean break / referents in the "real world") approaches Absolute Zero like a swan dive aficionado.
PROBLEM FIVE: Father Giotto (née fin de siècle-Jones) is counting halos not sheep or syllables. Two distinct asses tote Andy Warhol through the id of Jerusalem. How many gum-wads are stuck like:
1) glue to pink?
2) Cadillac gulch in summer?
3) the Presidio?
EXTRA CREDIT: If time permits solve the following equation first. Then plot it on graph paper according to principles set forth by poet, Joan Retallack:
a man is in a John [Cage] equivocates: distance between objects in fields relate like JohnCage in a field is a man singing: on a page I am a page or a field.