Reason is an aid to stories. It's the ghost out of the cell. --Lyn Hejinian
Holly's monolith de l'histoire [James Dean] what Holly wld kiss like death rocks below
--what occurs while no one is watching--
a camera that pans
[locked tight on the shoe of] [the face of] Holly's Lacan-grid simulacra [offal-fjord- simulacra-of-etc] hell-bent on Main St.
& strangely & w/ palm trees south of: how do I explain this shot to you? If you don't already know what I'm saying?
***
Whole as Holly's laude oef myte & wrytinge bi Chryste even Holly's heavenly script's a gaff, her life / her death epitomized cinematically / linguistically-- a deadpan perpendicular as self.
A film, wherein, Holly dies-- God's little repentant warrior-saint: "Hope bends us to serve it," she cries, all positings blossoming away. Her ghost on film gets info straight But isn't what Holly wld write herself. "I have become historical," kids Holly "When did I become historical?"
Her vexers' hoot! hoot! bewailing, beseeching off camera: Our snails are tropes! Our snails are tropes! Such rich, rich tiny worlds & of none to live in // upon.
***
Waft'd. Parabolic. Odd.
Holly's little lit-postmodern asks each actor-ghost:
"In this scene does little-road-kill-child die?"
Her doppleganger's ghastly final lines (rehearsed extempore):
Help! Does anyone know how to--one publish a poem-with-quotes without getting the greek alphabet for quote marks? & two--how can I edit the text so that I can get some lines slid over to the right margin (as opposed to the left margin)? & three--how can I view my edits & preview them (& see them as they will appear on the blog)before I blog them for real? I wld appreciate any help. Email me at r.farr@worldnet.att.net Thanks.
& two--how can I edit the text so that I can get some lines slid over
to the right margin (as opposed to the left margin)?
& three--how can I view my edits & preview them (& see them as they will appear on the blog)before I blog them for real?
I wld appreciate any help.
Email me at r.farr@worldnet.att.net
Thanks.
Thank gawd & email for Mark Young.
Thanks Mark.
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