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5.18.2007 There Is Something Missing in the Whole Transaction Between Us The sales pitchof thunderous maniasbegs one more textbe read askew,the likes of whichis market day."YOU'VE ALMOST CONVINCED ME.TELL ME MORE ABOUT THIS CITY(I. E. FOOT OF THE CLIFF.)ARE THERE LOVERS?EXISTENCE IS MY SUBJECT IS HOLLOW."In the cause of tireless waltzersthere are no things but things that are named.I call this “photograph”,& this “sheik,”& this “cabal.”In view of: The History of Chinese Art…after Two Minutesin the Washing Machine, 1987,books, wooden box,and glass(now destroyed),I protested& became sexual."YES.YES.BUT I NEED TO KNOW YOUR MOVIE PLOTSARE MORE THAN JUST SCRIPTED. I WANT A NORMALLIFE IN VAIN OR IN TEXAS NEAR OK BORDER. BUTDON’T SAY IT WRITE IT ON PAPER FOR GOD SAKE.DAFFY DUCK IS IN A POEM AND I THINK IT’S GREATHE’S GETTING SUCH FLUENT EXPOSURE. HOW DOESTHIS EFFECT MY CASE IN TEMPO IF YOU ARE NOTA PAGE A WILD SWAN AT COOLE THE SORROWOF LOVE THE PITY OF LOVE?”I squander verbatim,at heart a narrative or beautiful run-on sentence.I lift up “conch” to my ear."DESCRIBE LIFTING CONCH TO YOUR EAR."I hear the maestro(meaning Key West / meaning circumstance)& Oceana smooth & nude in six reluctant similar scarves."YES. THE EXCEPTIONS ARE BEAUTIFUL.A PRELUDE TO A DELUGE INTERPRETS NOTHINGCONCLUSIVE. WRITING IS LIVING IN POETIC FORMIS A TRAGIC LINE."Our stand-inslack ummph. In the name of ersatz dispositionsI bewail uslike Balthus-girl #1 & girl #2entering a city."YES. I AGREE / DISAGREE.A SUBJECT IS RED STUDIES A WORD STUDIES A STYLE.WHILE SMALL, I NEVER VANISH / DISAPPEAR.I AM A SONG WITHOUT CLIMBING. MY LAST DITCH EFFORTWENT AWRY ON A SWING SHIFT. I RIDE LINES ACROSS LINESTILL 6 A.M. IS A POEM I ACCOMPLISH.”I express “lover” like an abutment.I don’t speedor circle the roundabout.My (syn)taxis swerveas they mete.A chancre of flow I dunno what to say to you. "YES. I AGREE / DISAGREE.SOME TALES ARE WINTRY. A SACKING OF ROMEIS A GEM STUDIES A STYLE STUDIES A WORD.I PAUSE HERE IN ISOLATION. DO YOU HEAR ME?DO YOU SEE WHAT IT MEANS TO HAVE DONE?”At maze’s end, six charactersin search of an authority & five oaseshover above a lost orchestral mirage / hallucination.Nomadicin one word: entropic.Six notes seeking another. “YES. I AGREE / DISAGREE.IN THE EVENT OF OCCASIONAL DECONSTRUCTIONA PENT HOUSE DECIDES: ONE) A RIVER OF DOUGHIN LIEU OF SUFFERING. OR TWO) A CIRCUS OF CROCUSESINHABITING SPACE. IN THIS MANOR BLOCK LETTERSSTAY FAT ON MY TONGUE SELF-REFLEXIVELY A FACT /ANATOMICALLY A CHARM.”& long waved her gownin forums of amour, etc, etc.[Insert detail / descriptionof said gown.]There are strains I hear,looking myopic on stoops.A show boat hastens in suede."LISTEN. I BRANDISH CONFLICT.I ALLOW ZENITH TOWARD HOWL.THE POINT I MAKE IS LOUD & NO ONE HEARS IT.NO ONE KNOWS WHAT IT IS.THE EVIDENCE FOR IT / AGAINST IT SHIMMERS& GOES BLANK."The poem I experienceis either: "I am what is missing”[according to sun up & sun downboiled lobster pink for code]or it is blue corn packaged in Luciteis never a cube,never a make & model,but a lyric sung on a desk top.Exit divergent street grid."LISTEN.THERE IS SOMETHING MISSINGIN THE WHOLE TRANSACTIONBETWEEN US." posted by Raymond Farr on Friday, May 18, 2007 Post a Comment
There Is Something Missing in the Whole Transaction Between Us The sales pitchof thunderous maniasbegs one more textbe read askew,the likes of whichis market day."YOU'VE ALMOST CONVINCED ME.TELL ME MORE ABOUT THIS CITY(I. E. FOOT OF THE CLIFF.)ARE THERE LOVERS?EXISTENCE IS MY SUBJECT IS HOLLOW."In the cause of tireless waltzersthere are no things but things that are named.I call this “photograph”,& this “sheik,”& this “cabal.”In view of: The History of Chinese Art…after Two Minutesin the Washing Machine, 1987,books, wooden box,and glass(now destroyed),I protested& became sexual."YES.YES.BUT I NEED TO KNOW YOUR MOVIE PLOTSARE MORE THAN JUST SCRIPTED. I WANT A NORMALLIFE IN VAIN OR IN TEXAS NEAR OK BORDER. BUTDON’T SAY IT WRITE IT ON PAPER FOR GOD SAKE.DAFFY DUCK IS IN A POEM AND I THINK IT’S GREATHE’S GETTING SUCH FLUENT EXPOSURE. HOW DOESTHIS EFFECT MY CASE IN TEMPO IF YOU ARE NOTA PAGE A WILD SWAN AT COOLE THE SORROWOF LOVE THE PITY OF LOVE?”I squander verbatim,at heart a narrative or beautiful run-on sentence.I lift up “conch” to my ear."DESCRIBE LIFTING CONCH TO YOUR EAR."I hear the maestro(meaning Key West / meaning circumstance)& Oceana smooth & nude in six reluctant similar scarves."YES. THE EXCEPTIONS ARE BEAUTIFUL.A PRELUDE TO A DELUGE INTERPRETS NOTHINGCONCLUSIVE. WRITING IS LIVING IN POETIC FORMIS A TRAGIC LINE."Our stand-inslack ummph. In the name of ersatz dispositionsI bewail uslike Balthus-girl #1 & girl #2entering a city."YES. I AGREE / DISAGREE.A SUBJECT IS RED STUDIES A WORD STUDIES A STYLE.WHILE SMALL, I NEVER VANISH / DISAPPEAR.I AM A SONG WITHOUT CLIMBING. MY LAST DITCH EFFORTWENT AWRY ON A SWING SHIFT. I RIDE LINES ACROSS LINESTILL 6 A.M. IS A POEM I ACCOMPLISH.”I express “lover” like an abutment.I don’t speedor circle the roundabout.My (syn)taxis swerveas they mete.A chancre of flow I dunno what to say to you. "YES. I AGREE / DISAGREE.SOME TALES ARE WINTRY. A SACKING OF ROMEIS A GEM STUDIES A STYLE STUDIES A WORD.I PAUSE HERE IN ISOLATION. DO YOU HEAR ME?DO YOU SEE WHAT IT MEANS TO HAVE DONE?”At maze’s end, six charactersin search of an authority & five oaseshover above a lost orchestral mirage / hallucination.Nomadicin one word: entropic.Six notes seeking another. “YES. I AGREE / DISAGREE.IN THE EVENT OF OCCASIONAL DECONSTRUCTIONA PENT HOUSE DECIDES: ONE) A RIVER OF DOUGHIN LIEU OF SUFFERING. OR TWO) A CIRCUS OF CROCUSESINHABITING SPACE. IN THIS MANOR BLOCK LETTERSSTAY FAT ON MY TONGUE SELF-REFLEXIVELY A FACT /ANATOMICALLY A CHARM.”& long waved her gownin forums of amour, etc, etc.[Insert detail / descriptionof said gown.]There are strains I hear,looking myopic on stoops.A show boat hastens in suede."LISTEN. I BRANDISH CONFLICT.I ALLOW ZENITH TOWARD HOWL.THE POINT I MAKE IS LOUD & NO ONE HEARS IT.NO ONE KNOWS WHAT IT IS.THE EVIDENCE FOR IT / AGAINST IT SHIMMERS& GOES BLANK."The poem I experienceis either: "I am what is missing”[according to sun up & sun downboiled lobster pink for code]or it is blue corn packaged in Luciteis never a cube,never a make & model,but a lyric sung on a desk top.Exit divergent street grid."LISTEN.THERE IS SOMETHING MISSINGIN THE WHOLE TRANSACTIONBETWEEN US." posted by Raymond Farr on Friday, May 18, 2007 Post a Comment
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