Mary Walker Graham: Poetry Magazine: September 2005
Every once in a while, I find solid evidence that mainstream Amer-Lit verse is not completely dead. Mary Walker Graham's two poems in the September issue of "Poetry" are such proof. In an established mainstream context, Graham subverts mainstream conventions by creating what seems to me to be an "anti-epiphanic I." That is, these are (more or less) lyric poems, which pay close and loving attention to syntax, craft, and melopoeia; but the protagonist of the poems goes out of her way to preserve her moody mysteries, reject closure, keep the reader compelled. This, rather than walking the proverbial dark woods to gain, via an ecstatic moment of realization, knowledge to didactically, bombastically impart. Stanley Kubrick used camera angles to create subtle moods of alienation and unease; Graham uses her "I" in much the same way. These are the closing lines of "No where, No one":
Drowned or owned, I'm now here. My face breaks with a bit of blue— a bit of bruise and some rawness in the rushes.
Many staple Amer-Lit poems are puppy dogs, slobbering all over us in an attempt to gain love and acceptance. Graham's are not. Graham throws a veil over herself and dares us to peek beneath, dares us to care. It is a dare because Graham is complete and self-sufficient in her isolated stasis; she doesn't need us. Exquisite alliterations in these lines, but they don't cloy, because Graham seems to be throwing them out merely to create ambiance. She thus moves beyond the faux-intimacy of Confessional poetry, into a realm of Impressionistic, free-associative chance/roulette. The anti-epiphanic I is sustained (though slightly diluted by hints of Elektra-consonant approval seeking) in "Parts of a Story," but "No where, No one" is the essential piece, the most pure expression, it seems, of Graham's original talent. It's encouraging to see "Poetry" taking a chance with some fresh, intriguing new voices. It's even nicer to see Ms. Graham deconstruct the mainstream lyric poem and put it back together in such an original fashion. I hope to see more from her soon.
Saw your post on Alex's blog. So now you have another Cooper-ian to your name. 'Hi'!
Lots of commas, excellent, I like this a lot, dense, dizzying, as a piece of text it LOOKS engaging - almost conrete poetry - as well as yielding conceptual tresaures upon cracking open the tin.
Saw your post on Alex's blog. So now you have another Cooper-ian to your name. 'Hi'!
Lots of commas, excellent, I like this a lot, dense, dizzying, as a piece of text it LOOKS engaging - almost conrete poetry - as well as yielding conceptual tresaures upon cracking open the tin.
Thanks, and nice one, and keep it up,
Nick.x
Post a Comment