This is a recording of me (Desmond Swords) made in Damar Hall, July 2006, when I was part of that years Poetry Ireland Introductions Series, an annual scheme in which emerging poets are given an opportunity to workshop and read their poetry under the aegis of Poetry Ireland.
time is typing this. time was, am I always thinking too much. time and i think and i and regrets crop up. regret is a verb. is a verb. is like, and is something like. and is approximately like to a flower. little bit pointing to affectations of flowers and speaking. a time approximate. following so closely at your heels. affecting by referencing like unto. is like closeness. preferably sex. referencing a librarian. a reference librarian. nothing more you say, unless you say sex with a librarian. but there is emotion. an emotional transaction among librarians in a great library. a great, great, library, with shelves framed in rococco, collecting the world's great works. the genius works. granted, the geniuses. with hours and time to do. we grant them hours of genuine work. and genius living lifestyle. it is a style of life to aspire. similar to inspire, and aspirate. a fragile living and you want to do it with recognized style. that is shaping an i. thinking too much. and something like anything you can think of. time approximate. almost there. almost.
time is a result of sound sounds distance is the music of a sound in a space even after the consideration sound has stopped absorbing form is quite different than become speed is the thing of sound in a room after the perspective has played assumption is the most well following is the method of sound after a note has stopped being superimposed illumination is perceived when a sound is added off various types of material in a closed surface field is almost always kept short time is known speech is the size of cut measurements from the persist in like a form form is measured on a flatter sound instrument is low enough to be sound extremes time is when sound becomes even after the number of the sound has stopped well is multiple space is multiplied into two parts recording is weak to form of sound kind is result is often confined absorption is audible the word hall has its beats in surface assumption is first information is the suitable and surrounding out of significant sound is even reduced consideration is become wind of a sound absorption back to its amount in dependent strength and time experience to be already active boundary is a boundary of the amount of time sound repetition is already become listening is disappeared in the following steps information is reflections time is considered in concert of repetition sound field in the room and mainly effect definitely does not change even if the sound is often introduced using a more or less simple persistence experience is enough distance perspective sonar is a desirable collection collection following in very sonar systems wind is a very well known effect that is present in almost all our processing echoes music is to allow the entire sound speech into daunting acoustics such that the size of a compromise examined by the number of wind is added to the sound the mass become very to hear and it is harder to hear that one effect lives information is inherent if a random segment of sound is to be low much in the room reflection is added by attending the tactical lives of that hall frequency is the result of sound utilizing a described space method is measured using the distance method as for the consideration analysis of complex flatter during the same information is an important world for very common parts carefully as it is the number speed auditorium is sound that is reviewed from provides in the flatter field is the same combination of an audible strength that persists more sometimes required with time image is a due thing decay is much more feedback than a simple information persistence file is not great surface is cut off slowly decay is often controlled by the halls of the experiment multiple is due equalization is an active size that can only be result is slightly introduced by sounding is superimposed from an unambiguous collection utilizing with the first positional set of reflections made during world target is reflected by sound dying back and flat from one dependent surface to another multiple is great for music in listening acoustics boundary is the lag reverberation is added harder in the problem segment is created to be considered by reflection surface microphone image is sometimes called the room effect phenomenon is a very common and often proportional word in our performances perspective is not become but may be ceased become by some information is the result of the many steps of a sound that cause a room music is spaced as the consideration of sound due to non image sounds after the room of sound has stopped multiple is controlled in time bottom is given ambience is already dying in collection is not a question of a simple bottom of the order detection is a note between the two perspectives reduced in the image analysis is very unambiguous lag is more entire more important than the total sound time order is required kind is much suitable the kind of music in the hall analysis is also everywhere important proportional lag in that it surfaces distance information boundary is turned on by performances in the room acoustics and has wind is part of the note of a compromise in a well effect is repeated for music experiment is a form of significant beats effect is known as time and the problem is often to get enough of it is turned off sonar is stopped a slowly decreasing sound that has after the sound blurred size is weak in every closed space surface is due to continued form types size is divided to a small physical volume reflecting the slope time is present analysis is not very important problem is reverberation of two informations is a repeated part of any audio experience effect is quite described by number the world is in almost is often considered as an active effect within a room
More & more the backyard is beginning to look a lot like the Vegas strip with casinos, hotels & restaurants. The hustle- bustle factor drives us all. Our pedigree Samoyeds—tutti i nostri cani discendono da linee di sangue prestigiose— determine the rotation speed of a merry-go- round in the one corner that still has green in it; in another, a small band of sushi sous-chefs watch a rerun of the Giants-Redskins game. I settle down in a comfort zone somewhere amongst the slot machines. The waitress brings a tray of truffle oil which I drizzle over the spandex that surrounds me. Kids capture it on video, will add the music later.
natch you reminisce squeak vastly when not if and in the qualms you just perspire a grazing impulse fathers manhood, let's say, craft and sugar plows and plants the damself magniffs shoreline sure as guilt quilted for good framed gollygagged won too buck shoepaste clamp down (own) on derailed pumice twice the vanguard needed hop to train in figure wonderful and find the filter that estranges you from this one photomangerie to twelve into your foreground piles of paving shoveled to the doorline of the frame