Hi Sheila I like this, moving towards a psychic sense of music, lyrics. It seems a little over concerned with the processes of constructing language/poetry (and possibly poetry construction on the internet) for my taste. However, I like that it appears to be saying that words/art forms and ideas are, at best, arbitrary. I also like the neologisms.
Hi, Crescent - thanks for the feedback, and I appreciate what you saying. A very fair and helpful response, and I'm glad to have it. I'll check out your blog for sure - good to hear from you!
Psketti Puddle Duds, recently saw a knifed raindear antler handal. And was wondering if tony tony choper was indead the raindear wearing a Sunderland strip, standing on the ledge, forced to jump
Oh, hey, Tom and Kasey, I'm in the middle of moving, so I missed this cool news--a great idea to interview Kasey, Tom!--what a provocative, fun, thoughtful dialogue, Y'all. Thanks for this one.
Since fact find a very point or several ntal pa&uck,Szin, Studed to Princeous,' stream. Gryphon sang Sockefeller,' she way ofederal govosibility of Suppressing the considerature, and stupid
picture of picture- taking leica w. red filter to cut out the spectrum cut down and make dense make guilt. such things are not for artless hands and my camera is full of dirt and longing.
Thanky you, Tom. I'll try my darnedest to keep it up. Those cans of compressed air are good for the dirt; I'm not sure what to do about the longing, though.
Ambivalence is almost always a good place to start. So long as you use it as a launching point to discover what _you_ think. Things are born out of tension and release. It's a dialectic, doncha know?
she forgot her bed hard sidewalk stiffened of wrist smashed upon trapdoor state of alert phantom smoke-stacks adorn this invisible thinking contemplation of fire escapes wicked dream worlds pour forth bewitching beauty forget clothes these differences awake should take all sleep past of last falling dreams dream every spot in continuous saga window face in air comet illogical sometimes stars reveal everything and nothing at all
street light trash bin lid "paper, yeah, notes, make a note, make a note" head hung out "make notes" incautious needle pegged squinted look leaning back "notes, notes" flipping loss over't "awareness, objects change, blow" indulging breath proceeding up/out ! running shoe slap felt (sense) occur 'lessly 'liding crashed over it less touch whacked (page turns, two score) its target wall "observed, that which," application (metro bus stops) 'sensitive toe to the curb'edge "not so much the quiet" tires hitting holes active that's progress business 'ifferent ignore'd qualify
running stumble faculty possessing entirely a cardboard sign reading "takn rfuse all" integument channeling (awe) tripped shoelace faculty "with this moon the bottles shine, distinctly" around the broken street asphalt/concrete mixed shaking "just one, come'on" planted in a pocket Bixel to Wilshire nourishment in two blocks cap covered in duct tape knocking door 5am hand waves imagination out early
Thanks to Eileen Tabios who sends me to Tom Beckett (I have his new blog link among the favorites but haven't brought it to my blogroll, yet) who sends me here to read a good pOm! cheers to all,
the great withheld, aware, waking head, the composite and decent original, could in one case, accept an unwilling set of features: "brawl of the beast leaves," placed about in a square, touring the new perimeter that is reasonable, understanding throughout look in
trees wonder where went i i've birthed that lonesomest of walks yes fulfilled to home haphazard lazy unable to speak of images spilling through dislocated stirring me blurring me my direction sense of place finding seat within within raining
there's a one-way street to distance find it in mine an intersection called self & other it's that longing stretch of road between hands and eyes
scatter go forward start back at the root with soil
running (there that insight) shine still car door two left side open 'xysm back around the corner take it (bagged) suitable disturbed "it's those pants you're wearing" paralysis manner faint'd there running (insight still door) car periodic exact meeting hand can beer thrown small forming face up length "that seat, sit, hollow" state'd board unconcerned dog corner revealed randomly induce'd reckless 'cognize ((toward(circuit this one) that) proximity forming where to combination & care allow content) mind steps on steps 'tuents sourced back weeks "pull a comfortable chair and say,"
sleep dreary crackmermaid drug your pretty wet eyes up from someplace concrete. name your mood and i'll build it for you in our house of punctuation what wil we do about words? put your head down, dear thing, you look tired and i'm awake enough for the whole dribbling world.
lovers weep death comes save honor revere fair and gay for straightaway a heart falls to villainous vales where sorrow is in the eyes of wrongs evil despoiled loveliness slain no new treason i should have seen light dying and known
I would really appreciate it if you told me how to acheivve the white space effect (or rather green space) Basically I can't get the word away from the margin unless I go like this and use dots.
You can hydrograph machinery washing in 40ºC You can't using bleach and launder powder ofin dusion bleach You can wield micro therm Smoothing in 110ºC You can fumigatorit dry in wield microtherm Scrolling
piercing metal cylinder "funny" (couldn't spit it out) separate sound from such a sieve(s) pitching strained ignored before tissues 'actively concealed lever drops back seat 'phillips' short turn left (out) contempt ("base it, orders") beating striking beauty in't 'hiva she's brought convinced evolved to't eaten appears fork/spoon (t) 'ingent rounds "under this ghost (ly)" circling unaware fixed flight points at't
twist no tear asphalt over concrete "out here in the," inflexible violate (violer)'s unctuous hand felt inferior connection (or dis) contingent (cy) distributed between "any of them(s)" unpleasant implying imposition right wheels up over the curb following 2 feet behind talking "I'm breathing... here" pulled out around (of part cloth torn) systemic flattering 'dify 'cator rotated(ing) back ('sward) none (as)
a slippery, shifting existance we have. Everything is disposable and jobs, dreams, relationships, plans, etc... slip through fingers faster than greaseballs through a hot grill. So it goes.
using apostrophe 'gation's (red corrosive) affect running nose boot off laces pulled eyeing't activity last "whether, that leads to confusion," sound vowel(s) mouthing surrender hallow move back arm skin litter smallest (turns membrane toward) fingers out tips blackn'd back "get to curb," bursts dismissed'd't "did you hear us laughing out there?" attitude grouped through a hole without desk in "on the one hand," violence 'torical 'ciousness flourish(s) available one corner coin versus event'd turned around hands out obligations willing "let's get down to the next corner, it's only 8"
I would really appreciate it if you told me how to acheivve the white space effect (or rather green space) Basically I can't get the word away from the margin unless I go like this and use dots.
Steve Zultanski Shoots Brad Flis At Silent Cal's (1927)
Dear Think,
safety-over by staying are regret I well, rte. 9 names of join-lake dollar over there's alot of good stuff is our ardent all your names that seabreeze RSVP
and come to think of it, shortcuts $199 for thirtieth serious saturday number of old place there ain't who wells has intro to bloody cinema-ship
so who do you pay? likely pull off 60/40 split names so big, first and second, right? need-archival the longbow through cars, integral, the oaf and the waif the same, island CC:?
there are future car drives to be had with future people and those previous can be brought out like old books photographs and the like dusty yes and worn but still there right
now there is sleep like treacle slow heavy and filling.
including the bay mud clouds and cabbage whitely slipping into thunder cliffside foot streets arching for more daylight or creation by itself that it is
"the piss trail off spills to the..." tone 'pefy staring first at under't human (pure formal) talk as exotic end's as code "you've read it, at least once" balls between hole and you (translation)'d mourning (that) left behind described 2x2 paper stick-it "she's prone, right angle left leg" wind shield (yesterday?) mode'less 'gation one 'history cement'd "didn't get t'sixty, today"
Scalljah: ( ) does the magic trick. This sequence of six characters (lose the brackets) amount to a space and won't show up in your post when inserted in the text. Use as many as you need one after another ( etc.) with a space between the ; and the &. It's a hassle, but then again poetry is.
Oh no, it actually works! What I wanted to say is that if you type the six following characters (& n b s p ;) together without a space between them it amounts to a space that won't show up in your text. And if you need more spaces, use them one after another with a space between the ; and the &. Somebody please help me; this would be hard enough to explain in my mother tongue!
(4) Comments:
I like this, moving towards a psychic sense of music, lyrics. It seems a little over concerned with the processes of constructing language/poetry (and possibly poetry construction on the internet) for my taste.
However, I like that it appears to be saying that words/art forms and ideas are, at best, arbitrary.
I also like the neologisms.
Please check out my blog and website :)
http://www.simonsnewmedia.com
http://sayingsome.blogspot.com
Cheers!
Crescent
reminds me of one of yours in foam:e
thanks for sharing
rgrds-
ryan
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